(V.[u]nf_1)
Multichannel sound sculpture/installation.
74 portable digital speakers shoot gun MK-A1, 74 Micro-SD cards, 74 mp3 sounds, MDF modular structure.
Dimensions: variable.
Duration: variable.
Vis. [un]necessary force_1 (V.[u]nf_1) is a multichannel sound sculpture/installation. The title is a sort of acronym in Spanish; it means Vis. [Un]necessary force. It is the first of the series, hence the number 1. V. [u]nf_1 addresses the subject of violence from the citizen’s perspective. Since media is not covering everyday experiences of violence, people flock to the arena offered by social networks, and share their own sounds and images –the ones that communicate their particular experiences within this context of explicit violence. V. [u]nf_1 is assembled using 74 audio players gun-shaped, that build a large format sound-texture composed of the same number of acoustic logs: shootings recorded by citizens caught in confrontations between law enforcement and organized crime in Mexico.
V. [u]nf_1 consists of 74 independent audio channels, and the sound tracks are played individually on each of these speakers. At the end of the day and as the batteries run out of charge, speakers/guns go off gradually so the circle of operation/sound non-operation/silence is restarted.
The audio tracks that integrate this sound installation/sculpture were taken from different videos available at the YouTube site. Civilians in the middle of a cross fire caught in-camera this “balacera” or shooting, and uploaded these files making them public.
V. [u]nf_1 won the First Prize of the Bienal de las Fronteras. Selection committee: María del Carmen Aguirre Treviño (Mexico), Leonor Amarante (Brazil), Julia P. Herzberg (USA), Guillermo Santamarina (Mexico), Emiliano Valdés (South Korea / Colombia).
Luz María Sánchez
Transdisciplinary artist exploring the political sphere of violence and power relations through multimedia constructs.